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  • Suck or No Suck? (June ’07 bitter at life edition)

    SUCK: August, insofar as that I’m currently helping TheWife figure out the flights that will take her to various pieces of Nevada for a great big slab of early August. Following up on last week’s trip to Portugal and the previous week’s trip to Atlanta, she’s putting together an 8-day business and wedding (not hers, I should note) itinerary that will take her far, far away from here… leaving me once more to the tender mercies of the bloodthirsty little parasites we’ve created.

    On the plus side, as a companion piece to last week’s triumphant visit to Bridgeport and a continuation of my ongoing quest to spend time in all the garden spots of the northeast, I will be spending approximately seven hours in a car sometime next week driving to and from Poughkeepsie, NY. That’s right, bitches — be jealous!

    SUCK: Careerbuilder.com fucking sucks if you’re on a Mac. TheWife is in the early stages of a job search (let’s just say that when your company’s new director of global marketing is an engineer who doesn’t understand the difference between advertising and public relations, it’s time to find a new job), and as a part of our ongoing quest to cover our mortgage and unholy daycare costs without losing our sanity, I took it upon myself to post her newly-revised and thoroughly kickass resume on both Monster and Careerbuilder. Monster was… whatever, the normal hassle. But Careerbuilder? I don’t know what was going on, but it took me FOUR FUCKING HOURS to post her resume — I kept getting the little pausing spinny wheel thing on my screen between EVERY FUCKING WORD I typed. At first I figured it was a glitch on my Mac, so I dumped my cache and restarted clean… no change. I talked to some other people who had similar experiences, too. So, Careerbuilder — if you help TheWife get a new, better and higher-paying job, I will be forever grateful. But you’ll still suck the big one.

    NO SUCK: Matthew Ryan. Why didn’t any of you tell me about him? I can’t count on you people for anything. Anyhow, while slacking off taking a momentary but well-earned break from work last week, I decided to track down what Neilson Hubbard is up to these days… which led me to Strays Don’t Sleep, a recent collaboration with Matthew Ryan that began with the two men bonding over a shared love for The Blue Nile (me: suddenly smiling and feeling all warm inside)… which led me to Matthew Ryan solo. The guy’s got something like a half-dozen albums out, and I started I with a cheap used copy of East Autumn Grin. Mercy. Again: why didn’t any of you tell me about him? At his best, he’s like something of a cross between Hubbard and Kevin Salem — dark, gorgeous songwriting married to raspy, almost choked vocals, creating the impression of a man straining to get out words that are hard to say.

    Anyhow. Try on 3rd of October for size and see how it fits.

    SUCK: Children – in particular, one unnamed child (Butterfly) who has decided to adopt the most disruptive sleep pattern possible, wherein she wakes up howling 2-6 times a night, every fucking night. Which means I’ve been averaging something around 3-4 hours of sleep a night for the past two weeks.

    Yes, I remember (sort of ) the first year after the twins were born, when 3-4 hours was a banner night… but they’re turning 2 soon and frankly, I don’t have the energy to survive this again.

    On a plus note, Sporty walked into my office this morning looking all cranky and said that she’d been up for no apparent reason since 1:30 am, and might not be able to function today. My helpful boss reply: “That’s great! I’ve been up since 3, and it’s still the best night of sleep I’ve had all week. Let’s go shotgun some Red Bulls!”

    (I don’t think it was the sympathetic response she was looking for.)

    NO SUCK: Mark from The Long Cut gave me a heads-up last week that The Brother Kite – and God help you if you haven’t yet made The Brother Kite a part of your life – contributed a track to this free downloadable thing from the Cartoon Network’s Adult Swim. Check it out — and check out the Amusement Parks on Fire song while you’re at it, too.

    SUCK: Me, for a host of reasons, but within the context of this fiasco I’ll limit it to the fact that I’ve been incredibly lame about posting. Not that you care, but… sorry. I’m being reduced to a grind, which isn’t fun to read about and is less fun to be. Hopefully I’ll bust out soon and do something that actually resembles fun.

  • This weekend’s evidence that I should not be allowed to care for children

    At this very moment, following a conversation that went, uh, kind of wrong, Butterfly is walking around the house looking very upset and repeating the phrase: “Squirrel’s not eating anybody.”

  • Compare and contrast

    LisbonThis is the city of Lisbon, Portugal, where TheWife is currently enjoying 5 days of business and pleasure.

    In comparison, this is the city of Bridgeport, CT – the largest U.S. city ever to file for bankruptcy, and home to lots of stabbings – which I will be visiting for a meeting on Friday, after TheWife returns all tanned, happy and well-rested from Portugal.Bridgeport_2

    No, I’m not bitter. Why do you ask?

  • What I learned today

    The Black and Blue is very similar to a classic Black and Tan – a pint that blends stout with a pilsner, lager or pale ale – with the exception that it replaces the lighter beer with a blueberry ale.

    It is a very good thing.

    And three of them – at lunch on a friday – is an even better thing.

  • I’m not one to point fingers…

    Regardless of whose fault it may be… a meme! And, more importantly, a way to kill a few hours while TheWife shops with TheMotherInLaw and the kids sacrifice yet another feckless cat at the altar of the purple God…

    What song do you hear that takes you back to high school?
    The first one that leaps to mind is Love & Rockets’ So Alive. I vividly remember listening to the radio waaaay back in the day, hearing the DJ say, “This is the song that will bring sex back to radio,” and then hearing this song for the first time. He wasn’t wrong, and I… uh…

    Well. Anyhow. Yes. Mmm. High school memories, indeed.

    What song do you hear that really fills you full of regret?
    Well, fuck, that pretty well describes about half the music I own. Regret, as they say, is a many-splendored thing… and I’ve got the CD collection to match. Where to begin? Let’s go alphabetically, by artist:

    A) American Music Club gives you so many wonderful ways to feel regret. For the sake of being able to move on to the rest of the alphabet, let’s go with… Ex-Girlfriend.
    B) David Baerwald’s China Lake is ostensibly about poet Richard Brautigan – which, for those of you who know Richard Brautigan, should be explanation enough – but utlimately, that’s kind of ancillary to your ability to appreciate the song. “The pain… and the shame… of surrender.” Good times.There’s a personal reason this song calls out to me (with regret, among other things) but we won’t get into that right now.
    C) Catherine Wheel — Salt is one of my favorite songs, but every time I hear it I flash back to a time when – for about 2 months – I listened to virtually nothing but this song, over and over and over again. Not to get into details (because, primarily, it’s not my story to tell), but someone I know died, and the way I dealt with it was to get lost in the great soaring waves of yearning and pain and anger and regret that, to my ears at least, weave their way throughout the fabric of this song.
    D) Died Pretty’s Towers of Strength shoots me back to the time when I first bought the tape (ah, the glories days of buying used cassettes): the summer I spent living in a welfare motel on Cape Cod as I tried to pull my life back together following a brutal, crushing breakup. I remember driving down Route 6 at night, not really going anywhere, the windows open and this on my tapedeck, feeling the humid air rushing over me, trying to make sense of things that, in retrospect, weren’t really meant to make sense…
    E) Elbow’s Newborn is a 7+ minute epic about, among other things, the inevitable death of innocence. And who doesn’t love that?
    F) Filter’s Captain Bligh, for reasons obliquely explained here.
    G) Peter Gabriel’s In Your Eyes, if only because I know that my window to become Lloyd Dobler – no matter how null and void I may feel – has closed forever.
    H) Neilson Hubbard’s Speedin’ offers one of many examples of why Hubbard is one of the best artists you’ve never heard of. This song aches.
    I) Idaho, like AMC, offers so many lovely ways to feel regret. Have you made Idaho a part of your life yet? If not… start with the title track from 2001’s lovely and haunted Levitate.
    J) Joy Division’s Love Will Tear Us Apart may be an obvious choice – and one that will piss some people off – but if this song doesn’t fill you with some kind of regret, there’s something broken about you.
    K) Kenna’s Hell Bent is a nice enough song, but pair it up with a brilliant video originally created for New Order (at least, that’s what I’ve read), and you end up with something honestly transcendent.
    L) Lyle Lovett’s She’s Already Made Up Her Mind is about as heartbroken and regretful a song as you’ll ever hear.
    M) Bill Morrissey’s Birches – from his brilliant Night Train CD – creates, with a Carver-esque eye for detail, an indelible picture of a marriage grown old and more than a little stale, where the accompanying undercurrent of regret is balanced by the memories of the passion that once was.
    N) Not Drowning, Waving was a great, atmospheric Australian band that nobody I know has ever heard of. Albert Namitjira, off their terrific 1993 album Circus, is about the aboriginal artist of the same name and, in a larger sense, the way that the Aborigines basically got fucked over by Australia for several hundred years. (Despite the fact that this description sounds about as interesting as watching paint dry… this is a huge, dramatic, dynamic song. Seriously. Go spend the $0.01 and pick it up used through Amazon. You won’t regret it. Probably.)
    0) Oasis’ big hit album What’s the Story, Morning Glory and all the songs contained therein fill me full of regret (btw: I have serious issues with the phrasing of that question…) primarily because I regret the horrific number of times TheWife made me listen to it when it first came out.
    P) Pink Floyd’s The Final Cut – both the song and the album – pretty much exemplify the great, awful, painful manner in which regret can overwhelm and destroy your world. Tremendous album (except for Not Now, John, which makes my ears bleed whenever I mistakenly forget to skip over it).
    Q) Queensryche’s Silent Lucidity, which is a perfectly fine rip-off of “Comfortably Numb,” but which fills me with regret primarily because my friend Swoosh plays it at least 6 times a day on his iTunes at work. Which I regret profoundly, and which he may as well if he doesn’t fucking cut it out soon.
    R) Red House Painters – aka the AMC or Idaho of the “R” section of the alphabet – offers the Baskin-Robbins of regret. Where to begin? Start with the Rollercoaster album, and build from there. The definition of sadcore.
    S) Suicidal Tendencies Institutionalized, if only because I know that my window to become Otto – no matter how much I may feel like getting sushi and not paying – has closed forever.Repoman
    T) Richard Thompson’s The End of the Rainbow is the darkest lullaby of all time – “There’s nothing at the end of the rainbow… there’s nothing to grow up for anymore…” – and that’s exactly why I love the man. When, you know, I’m not left incredibly depressed by his music.
    U) Ultra Vivid Scene’s The Whore of God is a dark and cynical take on theology from Kurt Ralske, who Spin magazine (back in the days when it mattered, as opposed to the craptastic “bible for hip 16-year olds” it is today) once referred to as a “one-man manic-depressive band.” Which was, uh… pretty accurate.
    V) The Verlaines’ Take Good Care of It. Or, really, anything from their incredible (and I don’t use that term hyperbolically) album Bird Dog. Sample lyric: “And I dream of being like I was before.” If that doesn’t equate to regret, I don’t know what does.
    W) Wheat’s Slow Fade (from their first album… you know, the one that doesn’t suck), which fills me with regret primarily because at 1:39 in, just as it’s about to hit another gear and become the greatest song you’ve ever heard… it ends.
    X) X’ 4th of July because… well, because it’s one of the best songs ever written. This is not open to debate.
    Y) Dwight Yoakam’s A Thousand Miles from Nowhere is somewhat out of character for me, as I’m not a country music kind of guy, but this isn’t reallly country music (at least not in the classic sense) — just a great, great song about a guy choosing to not deal with his problems (or regrets) by running away from them.
    Z) Zebra, completing the alphabet of regret, with Who’s Behind The Door — which causes me regret through the realization that, at one point during my early formative years, I honestly believed this was the second coming of Led Zeppelin. Had I seen this video at the time, however, I think (or hope, at the very least) that I might have been dissuaded from that impression by the awe-inspiring cheese factor herein.

    What song restores your faith in humanity?
    Not a single song, but rather an entire album: The Brother Kite’s Waiting For The Time To Be Right has shown me a capacity for hope and joy I didn’t know I possessed.

    What song truly makes you smile?
    Tie: Rollins’ Liar and Red House Painters’ Lord, Kill The Pain. Very, very funny songs from artists not generally associated with a sense of humor.

    What song can’t you wait to play for your kid?
    Not really a future tense kind of question for me. I play ’em all kinds of stuff right now, and they generally seem indifferent except when I am moved to dance… at which point they either start laughing or screaming.

    What song didn’t used to mean anything to you… and now it really does make an impact?
    The Beatles’ Eleanor Rigby… which I heard a million times growing up, and sounded like one of a million Beatles songs I heard a million times growing up and never really thought about… until it was recreated by an 8-foot tall bald guy in a leather bodysuit. And then, suddenly… I got it.

    What song takes you back to college?
    Hmmm. The Cure’s Closedown takes me back to freshman year, when some upperclassman across the hall with very large, powerful speakers used to blast it – over and over again – almost every day. Sophomore year would be Peter Gabriel’s entire Passion soundtrack — which provided a very moody and evocative soundtrack to a very strange and dark year. Junior year… well, we’re back to Rollins. Tearing will do the honors — angry music + discovering beer = new me. And then, finally, senior year, when the Blue Nile’s Saturday Night gave us the happy ending: “An ordinary girl… will make the world alright.” Words to live by.

    What song would be the first song on your iPod if you were stranded on a desert island?
    Turn it on, push shuffle, and we’ve got…. Nine Inch Nails’ Eraser. Terrific. A great way to begin my inevitable psychotic breakdown. I’m starting to have flashbacks to Survivor Type already.

    What band influenced you the most?
    Tough call, but I’ve gotta go with American Music Club. A popular choice, I know. What can I say… I’m nothing if not a mainstream kinda guy.

    Well, that was thrilling. You? If you read it… consider yrself tagged.

  • Their eyes were watching God

    Purpleworship_2
    AKA In the thrall of the great, bulbous, grinning purple God.

    AKA AKA What sometimes passes for child care in Castle TwoBusy.

  • Why I need to stop caring about basketball

    19.9% – Statistical likelihood that the Boston Celtics would get the #1 pick in yesterday’s NBA draft lottery.
    39% – Statistical likelihood that the Boston Celtics would get either the #1 or #2 pick overall.
    5 – Worst pick the Celtics could possibly recieve in yesterday’s NBA draft lottery.
    5 – Lottery pick the Celtics actually recieved.
    24-58 – Doc Rivers’ record as Head Coach of the Celtics during the 2006-07 season — the 2nd worst record in the league.
    102-144 – Doc Rivers’ record as Head Coach of the Celtics over the past three seasons.
    1 – Number of years his contract as Head Coach of the Celtics was extended on May 10th.
    59 – Karmic score earned by the Celtics as related yesterday’s NBA draft lottery as calculated by Bill Simmons — the second highest score of any team, which (per Simmons) should have earned them the #2 pick.
    – Current karma score possessed by the Celtics.
    0 – Number of people not currently employed by the Boston Celtics who, as of this morning, still care about the Boston Celtics. (Estimated)
    2 – number of Celtics playoff games I’ve attended during this millennium.
    0 – additional number of Celtics playoff games I’ll be attending before hell freezes over.

  • Anger is an Energy

    Eleven songs about rage and frustration:

    1. Killing Joke: Struggle
    Jaz Coleman has been pissed off longer than a lot of people have been alive. Killing Joke was one of the original, great postpunk bands of the early 80s — and they’re still making ferociously effective music today. This particular slice of sunshine comes from their 1990 comeback Extremities, Dirt and Various Repressed Emotions – which is tough to beat as an album title – and despite being about as powerhouse an adrenaline-pumper as I’ve ever heard, and despite the apocalyptic tone of the lyrics and Geordie’s vicious, obtuse chording and Martin Atkins’ relentless drumming… the song actually transforms rage and frustration into something empowering.

    2. Drown: Beautiful
    There’s a unique form of anger that comes with betrayal — an implacable, white-hot rage that burns through everything you ever thought of as pure and beautiful and leaves it smouldering, blackened, ruined beyond repair. Few bands ever captured that experience more fully than Drown… and this song is about as angry as it gets.

    3. Whipping Boy: We Don’t Need Nobody Else
    When a relationship is poisoned on both ends, the results can spill over into jealousy, rage… and violence. A truly disturbing song from a brilliant and largely forgotten band.

    4. American Music Club: Wish The World Away
    There’s a thin line between frustration and desperation. Predictably, it’s territory that Eitzel knows intimately. The fact that it’s probably the rockin’est song AMC ever produced doesn’t hurt, either.

    5. Jawbreaker: Accident Prone
    Back in the old school days of the mid/late 90s, before “emo” became a dirty word, Blake Schwarzenbach produced some of the most astonishingly thoughtful, literate and powerful music in the sad and strange world of “alternative rock.” When Dear You was released, it was decried as a major label sellout by the vast majority of self-righteous indie kids, and Jawbreaker died a sad death shortly thereafter (although Schwartzenbach went on to make some interesting music with Jets to Brazil). But they left behind this gem of an album, which offers a handful of tremendous songs — including “Accident Prone,” which uses a car accident as an especially apt metaphor for the emotional damage of a relationship falling apart. “What’s the closest you can come” Schwarzenbach asks, “to an almost total wreck, and still walk away… all limbs intact?”

    The Walken sound sample near the end pushes it completely over the top. I can’t get enough of this song.

    6. Joy Division: Twenty Four Hours
    When the rage turns inward… bad things happen. Ian Curtis is the patron saint of this truth. And while “Love Will Tear Us Apart” and “She’s Lost Control” are more well-known, I’ve always felt that this song crystallized the Joy Division experience better than any other: the intractable feeling of knowing that happiness isn’t terribly far away… paralleled with the knowledge that it will always be just beyond your reach.

    Just for one moment
    I thought I’d found my way
    Destiny unfolded
    I watched it slip away…

    You hear the way Curtis’ voice cracks near the end of the line, and then the band suddenly surges forward in rage and sadness… and the knowledge of how the Curtis story ends suddenly seems too obvious, too appropriate, too clearly the only way this story would ever end.

    7. Rites of Spring: Drink Deep
    As someone noted recently (upon getting his AARP card), Dylan Thomas once suggested that we “Not go gentle into that good night” but instead “Rage, rage against the dying of the light.” Joseph Heller reiterated the idea in Catch-22 with Snowden’s shattering secret: “Freshness was all.” That same idea – the fundamental existentialist concept that what we have, see and experience every day is all that there ultimately is, so make the most of it – is at the heart of Rites of Spring’s brilliant “Drink Deep.” Guy Piccioto later went on to bigger and (arguably) better things with Fugazi… but he captured something energized and terrified and wondrous here.

    8. Rollins Band: Just Like You
    10:56 of Rollins doing anger, just the way you like it. I met Rollins once at an album signing in a tiny record shop in Dublin (Ireland, not East Bay), right after The End of Silence came out. When I handed him my newly-purchased cassette (this was 1991), he wrote, “Play loud. Rollins.” When I told him that playing it loud was exactly what I’d intended to do, he told me, “It sounds better that way.” As always, Rollins was right. It saddens me now to think that there’s a whole generation that only knows him from goofy cable shows or one very (intentionally) funny video and song… and that has no real idea of what he represents. Get In The Van should be required reading.

    The scream at the end of this song tells you everything you need to know. Screamo kids… this is what real anger sounds like.

    9. Afghan Whigs: Debonair
    Remember these guys? America’s spiritual cousins to Whipping Boy… Greg Dulli knew (and still knows) how to make your skin crawl like no one else. The only thing he hates more than the entire world and everything in it is himself — and God love him, he doesn’t blink once as he details exactly what’s going through his head. It was a tossup between this and “My Curse,” an incredible song in which Marcy Mays from Scrawl takes Dulli’s words and self-loathing to really incredible places… but I decided to go with the song that brings me back to a strange and wondrous time I like to call 1993-94.

    10. Kill Hannah: The Songs That Saved My Life
    Because, deep in our hearts, there’s a place where we’re all angry, misunderstood 16-year olds. And the angry, misunderstood 16-year old in me sounds a lot like this.

    11. Scud Mountain Boys: Grudge Fuck
    Partially because it’s a phenomenal title for a song… partially because it’s a phenomenal song, period. Joe Pernice recently rerecorded this on the Pernice Bros. Live A Little — but I prefer the original in all its bitter, lovely desperation.

    Anger isn’t always loud, or fast. Sometimes it’s slow and… uh… pernicious. (Look it up! It works!) And while this kind of rage might go down sweet and easy, it’s the bitter aftertaste that really makes it memorable.

  • As if we didn’t already have enough reasons to stop reproducing

    In celebration of Mother’s Day, TheWife and I took a couple of hours off from our weekend-long preparations for Mother’s Day dinner (an in-law debacle I won’t detail here) to take a long walk with our many fine offspring, culminating in a pilgrimage to one of our many fine local parks.

    It was literally the perfect day here in Boston’s fabulous MetroWest – maybe 65/70 degrees, sunny, the sky a spectacularly deep and rich shade of blue – and we were expecting that the park would be packed to the gills with small humans and their progenitors. We were surprised, then, to arrive and discover that we had the entire place to ourselves — apparently, everyone else in the area was standing in line waiting to take their mothers/grandmothers out for their annual brunch. Fine by us: we unleashed the children and watched them run in circles, screaming and happy, literally jumping with joy at having been freed from the damnable bonds of strollordom. And then, after a moment, they focused on the world around them… or, more accurately, they focused on the bright, beautiful, multi-colored stairs/slides/bridges/ladders apparatus that lay the center of the park. And then, there were only vapor trails — as they literally flew through the air to the Oz they’d dreamt of for so long.

    TheWife and I followed closely behind, wary of the inevitable mistakes that 22-month old girls make when they try to maneuver up and around equipment designed for the K-5 crowd. A diving catch here, a kick-save there, a “don’t push your sister” everywhere… these are the standards of our park experience. Thus supervised, the girls made their way up the stairs, down the slides, up the stairs, down the slides, up the stairs, across the bridge and back… as TheHurricane haunted the perimeters of the play area, a shark exploring his territory, skipping in ever-shrinking concentric circles around his tender prey.

    Eventually, the twins decided to explore a different part of the apparatus — a more elevated platform offering a long, twisty slide, connected to the main section via a fish-bridge (that is: a plastic, arcing bridge that looks like a fish from the outside and a fish skeleton on the inside). As TheWife followed them across the fish-bridge – ensuring that their feet didn’t snare between the bones, causing them to fall, cry and potentially acquire more rakish scars – I made my way over to the bottom of the slide.

    Rabbit was the first to arrive at the slide, and dutifully she sat down – feet-first – and began to make her way down. As I often do, I hid around one of the curves — so that I could pounce on her mid-way down and ensure that by the time she reached the ground she’d be dizzy from tickle-inspired hysteria. Which is what happened. “Here comes Butterfly,” cried TheWife, and as I set Rabbit free I once more set my snare, preparing to catch and similarly torment her sister. Which is what happened, although this time the tickle was accompanied by a slight spark — as a plastic slide + moving toddler often = static electricity. Anyhow: no harm, no foul, much tickling.

    Giggling, the two girls set off for the far end of the apparatus — to climb the stairs and begin the entire process anew. TheHurricane ran over with them, happy to join in their insane giggling. I stepped back and looked up at TheWife and told her – in the same tone of voice I used for the girls – to “Sit down first, then come down the slide, okay?” She flipped me off, sat down, and began down the slide.

    Once again, I set my snare. And as TheWife came around the curve, I pounced. Of course, insofar as that TheWife (as has been established) is extremely attractive, I chose to vary my tactics, and this time – instead of going for the tickle, I went for the… uh… boobs.

    What I failed to take into account was the possibility that, as Butterfly’s modest proportions had generated a modest amount of static electricity, TheWife’s larger carcass would generate a substantially greater amount of static electricity.

    So. There stood I, hands extended, feet on the ground, heart filled with love and a big smile on my face, the ideal conductor for an electrical charge. TheWife came ’round the curve, and as my waiting, willing hands made contact with her upper torso…

    ZZZZZZZZZZZZAPPPPPPPPPPPP!!!

    Let’s just say that when I first envisioned this scenario, it didn’t end with both of us clutching parts of our anatomy in pain.

    In psychology, there is a concept known as operant conditioning. The pop culture shorthand is Pavlov’s dog, which is only tangentially correct, but the basic idea is the association of a stimulus with a consequence — e.g. a rat presses a lever and a food pellet appears, and so the rat learns that pressing the lever means food; or a rat presses a button and a loud noise sounds, so the rat learns to stop pressing the button.

    Mother’s Day 2007 offered me an abject lesson in operant conditioning. Breasts = pain.

    I will not forget this anytime soon.

  • Suck or No Suck? (Emphasis on “Suck” Edition)

    1. SUCK: Pirates of the Caribbean 2 – Electric Boogaloo. Sorry… that’s “Dead Man’s Chest” — not that it matters, given the spectacular levels of pointless stupidity that it achieves. I know, I know… every review that came out upon its opening last summer resonated with cries of “This movie is the poster child for why summer blockbusters are a complete waste of time.” And you know what? They were right. This movie sucked. Sucked, sucked, sucked. Yeah, there’s lots of expensive CGI that’s pretty to look at, but the alleged plot is complete gibberish, the acting (beyond Depp and the always-wonderful Bill Nighy) is blockbuster bland, it’s an hour longer than it should be (well, truthfully, it’s two and a half hours longer than it should be)… and the ending isn’t actually an ending, but a directive to see the next craptastic edition in Summer 2008.

    Whatever. I was a moron for hoping this movie would provide a few hours of mindless entertainment. Yes, it succeeded beautifully in achieving the mindless part… but entertaining it was not. Ppphhhhtttt.

    2. SUCK: Omaha Steaks. Maybe this is a phenomenon you’re familiar with, but I’d never really explored the wonders of Omaha Steaks until one opened near my job recently. I went in with my friend Swoosh in the hopes that we’d discover a new and extremely convenient way of picking up high-quality flesh ready for the searing… instead, we found ourselves disturbed, distressed, and frankly pissed off at the insane prices these jackasses are demanding. Seriously: $27.00 for 1lb of pork chops? That’s beyond insane. Yeah, I realize that their current (5/10) sale offers it for half-price… but that’s still $14 for something you could get at Whole Foods or your local high-quality butcher for $6.99 or so. It’s a rip-off. And the steaks are even more horrifying. Without boring you with the details… it appears that buying 4 tiny little frozen filets from Omaha Steaks or going to The Capital Grille to have two 10oz filets grilled to your specifications – and accompanied by your choice of incredible sides – are a break-even decision.

    Frankly, I think I’d prefer to have the food cooked for me (and have someone else clean up)… although I will admit that the cardboard boxes the Omaha steaks come in are pretty snazzy.

    Can someone explain to me how this business model makes any sense at all?

    3. SUCK: The new Low album, Drums and Guns. I touched on it briefly over to the right (in the “Do You Hear What I Hear?” section, which I’m sure you check out religiously), but allow me a moment to clarify just how much this album pisses me off in the form of an e-mail exchange with my friend Koko, who’s cuckoo for Low:

    Koko: So, I am not sure quite what to make of the new album (yes, I finally got around to giving it a good listen). I absolutely HATE the casio keyboard background bleeps. But the harmonies are as good as ever. Your thoughts?

    Me: I pretty much hate it. Sparhawk seems to be deliberately off-key for about 90% of the album. And the clicks, beeps and other clicks and beeps are just annoying. There are maybe 2-3 songs I like… otherwise, it’s a complete wash for me.

    Granted, they’re due for a clunker after what… 8 great albums? But it’s still really disappointing.

    Damn you, Sparhawk! (shaking fist angrily)

    Koko: I know – I seriously think The Great Destroyer was my favorite in a long time and was disappointed they went in this direction instead of continuing in the same vein. Can’t win ’em all…

    Me: The Great Destroyer was a real departure for them, but it successfully recast the best things about Low – the harmonies, the strong writing, the pure sense of melody – in a completely different light. This new one – for the most part – removes those three signature elements of the Low sound and replaces them with… AAAAARGH!

    I guess I’m a little angry about it.

    KoKo: Glad you feel the same. I almost felt ashamed I didn’t like it. I will give it a couple more tries before I cast it off into the abyss of distortion-filled Yo La Tengo albums and new up-and-coming bands that critics praised and I thought was the most boring stuff ever put to album (see: Oberst, Conor).

    Are you still awake? Hello? (grabbing you by the shoulders and shaking)

    In case you’re wondering what we’re talking about, check out this or this. Then hunt down the albums they came from and make them a part of your life. You’ll be a better person for it. Seriously: it’s never too late for some personal growth.

    4. SUCK: Clemens. If I have to explain this to you… I probably shouldn’t be talking to you in the first place.

    5. NO SUCK: Say hello to YOUR first-place Boston Red Sox!

    (Yes, I know it’s only mid-May. But I’ll take my jollies where I can find them.)